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Theoretical analysis reveals generative color dynamics across Sonia Delaunay's artwork, highlighting key differences between human visual creativity and algorithmic image generation.
The research examines the generative operation of colour in the art of Sonia Delaunay. Through the analysis of painting, textiles and design, it explores the structural relationships between colour, form, rhythm and perception. The research also interprets these relationships from the perspective of digital and AI-based image generation, distinguishing Delaunay’s visual generativity from algorithmic image-making.
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Nicholas Van-Orton (2026) studied this question.
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