From Singing Girl to Revolutionary Artist: Female Entertainers Remembering China’s Socialist Past (1949–the Present)

This is the authors' abstract. We don't add key points for this paper.

This article explores a unique aspect of gendered socialism by examining the competing narratives of the state and individuals’ oral accounts, particularly the stories of former singing girls and Chinese Communist Party (CCP) cadres. During the socialist transformation of the 1950s, singing girls-turned-revolutionary artists, as popular performers and new socialist women, found mutual interests with the CCP: political propaganda for the Party, making profit for the troupe, and self-transformation for the girls. This article argues that the Party and former singing girls enacted a uniquely gendered socialism by continuously deploying the singing girls’ cultural and financial influence colored with their erotic image. In addition, this essay treats oral history as a process of identity and history construction rather than as “fact.”