, the white pigments often used by artists to lighten the intense Prussian blue colour. The results indicate that the first two of these white pigments play a significant role in the fading of the colour of Prussian blues. In order to achieve our long-range goal, several Prussian blue samples were prepared from "ancient" recipes published in 1758 and 1779. These so-called "ancient" samples, painted in a dark and a pale blue shade, were also subjected to accelerated light exposure. The colorimetric results, in conjunction with X-ray powder diffraction refinements, pair distribution analysis and Mössbauer spectral results, indicate that, depending on the exact method of ancient preparation, the Prussian blue pigments were sometimes badly contaminated with alumina hydrate and/or ferrihydrite, a contamination which leads to extensive fading or decolourization of the Prussian blue pigments. The presence of ferrihydrite was subsequently confirmed in the study of a surface paint fragment from an eighteenth-century polychrome sculpture.
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Grandjean et al. (2016) studied this question.
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