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Analysis of the Rorschachs of 40 eminent male architects collected in 1959 revealed a highly consistent personality profile. The picture that emerges is of a person who appears to be ambitious, highly sensitive, intellectually and emotionally energetic, and reasonably well adjusted socially. His thinking is well oriented in reality. He prefers large scale conceptualizing to mundane 'concerns. There is evidence of conflict, tension, and a concern with emotional control. Feminine and exhibitionistic interests are exceptionally high and sources of inspiration appear to reside in unresolved sexual conflicts. The attitude toward the world is positive. The eminent male American architect at the turn of the Sixties believed in his own ability to create a truly superior environment. His conscious concerns were with creation rather than with self-confrontation.
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Stéphanie Z. Dudek (1984) studied this question.
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