The sociologist and the sirens: iconography and inspiration of a metaphor thirty years later

The paper revisits the 1996 volume The Sociologist and the Sirens: The Challenge of Qualitative Methods (Cipolla and De Lillo, eds.), reflecting on the enduring relevance of its central metaphor. While the volume, based on a 1993 conference, set out to explore the tensions between qualitative and quantitative approaches, this article reclaims and further develops that metaphor, interpreting it as a lens through which to understand the challenges and ambiguities inherent in all social research. Beyond methodological binaries, both qualitative and quanti-tative traditions reveal similar tensions: between subjectivity and rigor, uncertain-ty and control, sensitivity and formalization. Nearly thirty years later, the sirens continue to symbolize research practice as a liminal, hybrid process – requiring navigation between opposing poles such as emotion and reason, involvement and detachment. In this view, the sirens represent not only the seductive risk of meth-odological dadaism, but also the generative tensions that shape the sociological imagination, inviting researchers to embrace complexity, inhabit liminal spaces, and engage with the transformative and risky nature of the research encounter.