The article examines the two major publicistic enterprises of Eugen Rosenstock-Huessy at the time of the Weimar Republic, the Patmos Publishing House and the journal Die Kreatur. Introducing and discussing both projects and Rosenstock-Huessy's collaborators, it intends to scrutinise the personal and intellectual significance of the two prevailing circles of contributors for Rosenstock-Huessy as a practical example of his sociological key concept of ‘Symblysma’.
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Knut Martin Stünkel (2015) studied this question.
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