This paper is divided into four sections. The first deals with the actual standards as established by the Federal Communications Commission and discusses their colorimetric significance. Section II discusses the design and performance of typical commercial color-television receivers. Section III will be of special interest to the broadcaster as it describes the conversion of existing black-and-white studio equipment for color-television use. Some data on studio installation and lighting are also supplied. Section IV deals with nonbroadcast uses of color television and describes industrial color-television equipment known as Vericolor.
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Goldmark et al. (1951) studied this question.
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