Performing counter-narratives and mining creative resilience: using applied theatre to theorize notions of youth resilience

As part of a nationwide study of growing socio-spatial inequality, researchers collaborated with a Toronto youth shelter and a theatre company, Project: Humanity, to use drama methods to explore local manifestations of poverty and social polarization. Together, shelter-dwelling youths and researchers challenged understandings of ‘resilience’ beyond their normative framings that fail to consider youth perspectives. Provoking affective encounters, the drama methodology activated a youth critique of structural inequalities and a peer mentoring for developing tactics to confront incidents such as unwelcome police interactions. The authors propose the concept of creative resilience, which draws from the idea of the ‘ensemble’ in drama, to collectively devise and rehearse strategies of survival and resistance for application in the real world. Such creative and critical improvised encounters catalyse, they further argue, a critical-affective stance in participants, facilitators, and researchers. Such a critical-affective stance demands theoretical sophistication in the analysis of empirical accounts because it values affect as constitutive to knowledge production. Using an illustrative case, the authors put forward a new theoretical frame for youths resilience as an ensemble practice. The findings of this study support the experiential and cultural knowledge of youth as critics and agents of resistance in the face of growing global socio-spatial inequality.