W ITH a few special exceptions, everybody-social scientists, movie makers, and laymen-seems to agree that there are profoundly important relationships between motion pictures and human behavior. The initially important question is concerned with the way in which these relationships are to be conceived. Any investigations in this field will be predicated on certain assumptions about human collective behavior, about how human beings give and receive communications, and about how the individual apprehends his social role and identifies the social roles of
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Franklin Fearing (1947) studied this question.
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