This article attempts to examine certain manifestations of female militancy in Africa, not only for their own interest, but also to see whether they can throw any light upon the completely independent modern women's liberation movements with which we are now familiar in the West. The African ethnographical material, which is set out first, refers mainly to the Bakweri, the Balong and the Kom of West Cameroon. Besides oral reports collected from Cameroonians about traditional behaviour and on particular occurrences, for the Bakweri there is additional relevant documentation from Court records. For the Kom some published material is available, but I rely here mainly upon information collected by a Kom who had an interest in social anthropology, as well as being the son of one of the principal female actors in the drama which will unfold below. The Cameroon material is followed by some relevant data from other parts of Africa. Discussion is then broadened to include material on the women's liberation movement in America and England.
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Shirley G. Ardener (1973) studied this question.