The truth of the artwork From the artistic object to the artwork as a Loop

Through the interpretations of artwork provided by Hegel, Kant, and Heidegger, the artwork presents itself as complex and often irreducible. The reading offered by Harman, grounded in Object-Oriented Ontology (OOO), constructs a historically significant interpretation but does not exhaust the problematic nature of artwork represents. Through this article, I have attempted to demonstrate the functionality of the concept of loop applied to artwork, providing general connotations and linguistic tools for interpreting artwork as a loop.