Creative writing workshops typically feature a gag rule and emphasize purported flaws. This structure limits students’ meaningful engagement with each other’s work; positions the author as inherently flawed; and positions other participants as authority figures, passing judgment without articulating their aesthetic standards. I propose an alternative structure in which authors lead discussion; the work is treated not as inherently flawed but as “in process”; and discussants articulate their expectations about “good” writing rather than allowing them to function as unspoken norms.
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Rosalie Morales Kearns (2009) studied this question.
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