Tradition and Modernity in Chinua Achebe's African Trilogy

in recent years, the celebrated status of Achebe's early fiction within African literature has come under attack from leading critics.Novels that were previously heralded for their reclamation of precolonial tradition have instead come in for censure, as works in thrall to the ideology of Western modernity.This essay offers a riposte to these critiques, rereading Things Fall Apart, No Longer at Ease, and Arrow of God as three parts of a unified project that problematizes the opposition of tradition/modernity, expressing Achebe's distinctively igbo commitment to dialogue and boundary crossing.Throughout these works, the problem that occupies Achebe most urgently is that of leadership in changing times. in precolonial culture, the figure of the elder exemplified a model of authority as selfless service, regulating and moderating destabilizing elements.The trilogy shows the systematic erosion of that function and the ascendancy of the colonial bureaucrat, for whom a parallel ideal of disinterestedness merges with a pitiless and dehumanizing gaze.Undoubtedly, this loss is central to the tragedy depicted by the novels.What they also show, the essay argues, however, is a persistent, creative spirit of adaptation in the society Achebe portrays.Facing the existential crisis of colonization, he presents a community still at work in the "messy workshop" where a future might be negotiated.iNTrOdUCTiON in recent years, the reputation of Achebe's early fiction has suffered a significant challenge from leading critics.For several decades after he achieved prominence in postcolonial criticism, the de facto orthodoxy based on early readings by gareth griffiths, robert Wren, and others was that the special significance of This content downloaded from 134.83.90.