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This study investigates the genesis and evolutionary genealogy of the early harp and chordophones through experimental archaeology and organological reconstruction. Grounded in over five decades of practical instrument-making, the author presents a foundational technological breakthrough: the fabrication of archaic strings from spirally cut, twisted raw animal skin strips (rawhide). Using micro-wear stone blade techniques analogous to Upper Paleolithic tool industries (e.g., Qaleh Bozi and Kaldar caves), the paper details workshop protocols, bilateral nail tensioning, shade curing, beeswax friction-coating, and mechanical tension formulas for rawhide strings. Furthermore, the work introduces a comprehensive genealogical diagram (Figure 11) tracing chordophone evolution from the prehistoric musical bow through the 5,400-year-old arched harp of Chogha Mish (Iran), the bovine-headed lyre of Ur, the divergence of necked lutes/tanburs, and the emergence of horizontal boat-shaped harps (Assyrian, Babylonian, Elamite, Pazyryk, Sasanian, down to the Afghan waji harp preserved in the National Museum of Scotland) and vertical angular harps culminating at Taq-e Bostan and the Safavid era.
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Abdolali Bagheri-Nezhad (2026) studied this question.
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