This paper examines two gold medallions housed in the Dumbarton Oaks Museum, one featuring a profile bust of Emperor Anastasius and an enigmatic inscription, the other Dionysus and two satyrs. A careful analysis of the inscription, the iconography of these objects, the relations between Constantinople and Lazica in the early sixth century and late antique elite culture indicates that the medallions were dispatched to the king of the Lazi, a people inhabiting modern-day Georgia. They were part of a set of royal insignia customarily bestowed by East Roman emperors upon client rulers. Additionally, the discussion places the medallions within the broader context of late antique diplomatic practices, which often involved distributing luxurious gifts such as medallions to foster alliances with neighbouring peoples. By analysing the material, iconographic, and historical setting of the objects, the paper contributes to a deeper understanding of East Roman diplomacy and the role of sixth-century gold medallions.
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Marco Cristini (2026) studied this question.
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