This article examines Wenxuecity, a long-running website for overseas Chinese communities, as a site of diasporic literary production shaped by distinctive temporal practices. Drawing on the serialized fiction of two active contributors and sustained observation of forum discussions, it identifies three intertwined temporalities: narrative, processual, and archival. Narrative temporality foregrounds authors’ self-directed rhythms of storytelling; processual temporality traces how ongoing exchanges between authors and readers turn writing into a collective, open-ended practice; and archival temporality reveals how dispersed texts accumulate into a layered record of diasporic becoming. The article argues that these temporal practices sustain a mode of digital cultural production oriented toward continuity, participation, and lived experience—one that contests the extractive logics of platform economies rather than merely operating within them. As a fragile media archive, Wenxuecity holds cultural memory in the constitutive tension between accumulation and precarity.
No takes yet. Share an insight, caveat, or question.
Shaohua Guo (2026) studied this question.
Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context: