Regional Expressions of Alilo

This article examines the Georgian Nativity chant Alilo as a cultural tradition that unites regional musical diversity with shared religious meaning. Although Alilo is performed throughout Georgia, its musical form varies significantly across regions, reflecting local polyphonic styles, performance practices, and cultural environments. The study analyzes representative examples from Guria, Racha, Svaneti, Kakheti, and Samegrelo, highlighting differences in tempo, texture, vocal organization, and expressive character. At the same time, the article identifies a set of common musical and textual elements—such as references to the Nativity, the recurring use of the word Alilo, and explicit mention of Christ—that function as unifying features across regional variants. By situating Alilo at the intersection of folk and sacred traditions, the article demonstrates how regional creativity and national religious identity coexist within a single ritual practice. The findings contribute to a broader understanding of Georgian polyphonic culture and the role of music in sustaining collective memory and spiritual heritage.