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This article makes a case for why ethnomusicologists—not just those with specialised interests in archives, information management, and intellectual property law—need a serious conversation about open research. Drawing on examples of ethical, regulatory, and infrastructure challenges encountered in the UK-based Access Folk project, I suggest the necessity of dialogue that crosses fault lines about data ownership and control. Articulating a coherent disciplinary-level stance about what open research means in ethnomusicology is an essential step toward a more ethical research praxis, positioning us to confront twenty-first-century technical and regulatory challenges.
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Rebecca Draisey-Collishaw (2026) studied this question.
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