Swahili proverbs and sayings have long functioned as vehicles of social knowledge, moral instruction and cultural philosophy within East African oral traditions. In Tanzania, despite the influences of globalisation, urbanisation and mass media, they continue to circulate widely, particularly through popular music, where they are creatively recontextualised to reflect changing social, political, economic and cultural realities. This article examines the use and transformation of Swahili proverbs in Tanzanian songs across different historical periods and performance contexts. It explores how traditional proverbs are expressed, modified, inverted and newly created in song lyrics to articulate contemporary experiences and ideologies. Drawing on recontextualisation theory and qualitative textual analysis of songs from diverse musical genres, the study demonstrates how musicians adapt proverbial language to provide social critique, negotiate identity, communicate moral values and engage audiences. The findings reveal that the meanings and functions of proverbs are dynamic and continually shaped by temporal, ideological and socio-cultural contexts. Whereas earlier songs largely employed proverbs to reinforce communal norms and social cohesion, more recent compositions increasingly use them for socio-political commentary, satire, resistance and ideological contestation.
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Edwin Anderson Mwakibete (2026) studied this question.
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