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This section examines the golden age of Eastern miniature painting during the 15th and 16th centuries, with a specific focus on the aesthetic interactions and stylistic evolution among the Herat, Tabriz, and Bukhara schools. It provides a theoretical basis for the conceptual foundations of Kamoliddin Behzod's creative style, analyzing his revolutionary innovations in draftsmanship, color harmony, and spatial composition.
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qizi et al. (2026) studied this question.
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