This study examines the Iranian Plaza on Yonge Street in Toronto to explore how Iranian diasporic communities negotiate cultural hybridity (Bhabha, 1994) as they move between familiar cultural resonance (feelings of connection) and dissonance (feelings of conflict) within new social and spatial environments. Using a multimodal ethnographic approach—including drawing, photography, immersive walking, sound recording, and film—this research captures the plaza as both a cultural hub and a site of cultural negotiation. Grounded in Henri Lefebvre's rhythmanalysis (1992) and Mathew Arthur’s infrastructure ethnography (2020), this study frames the plaza as a transitional space, where Canadian urban infrastructure and Iranian cultural practices collide, overlap, and reshape one another. These encounters generate both moments of connection and points of friction. Through an analysis of bilingual signage and spatial design, this research further shows how the plaza fosters cultural hybridity, where resilience and adaptation shape diaspora identity. Ultimately, the study highlights that diasporic spaces are shaped not only by cultural heritage but also by geopolitical pressures, revealing how belonging, adaptation, and survival are continually negotiated in multicultural urban landscapes.
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Jila Mosapournegari (2026) studied this question.
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