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This article examines the theoretical and stylistic foundations of paragraphemic analysis in written discourse. It focuses on the relationship between graphic realization and stylistic meaning, drawing on the stylistic approaches associated with D. Crystal and D. Davy and G. Leech and M. Short. The study considers typography, capitalization, italicization, punctuation, paragraphing, spacing, and other graphic resources as potentially meaningful components of written communication. Particular attention is given to the functional roles of foregrounding, emphasis, textual segmentation, expressiveness, interpretive guidance, and stylistic markedness. The article also proposes a flexible functional classification of paragraphemic resources and emphasizes that graphic features should be interpreted in relation to context, genre, communicative purpose, and textual organization. Furthermore, the study highlights the importance of integrating paragraphemic analysis into contemporary stylistic research, offering additional perspectives on visual textual organization, reader perception, and the interpretation of written discourse across genres. The analysis demonstrates that paragraphemics provides a useful framework for investigating how formal visual choices participate in the construction of stylistic and communicative meaning in written texts.
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Malika Maratovna Abdulkhaeva (2026) studied this question.
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