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This note establishes a connection between the ontological framework of the "Musical Model of the Universe" and the experimental results awarded the 2022 Nobel Prize in Physics. The aim of this work is to demonstrate that the proposed language for describing the world (a network of relations, the role of the observer, a unified logarithmic scale) does not contradict the mainstream development of modern physics, but rather offers a philosophical context for interpreting its latest discoveries.
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Elena Bozhenko (2026) studied this question.
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