Музично-стильовий етос тріо бандуристок у філософсько-культурологічній перспективі

The purpose of the study: to examine the musical and stylistic ethos of the bandura trio through its individual, intersubjective, and temporal-existential dimensions within contemporary Ukrainian musical culture. Methods: the study draws on the philosophical and cultural approach specified through phenomenological, hermeneutic, and existential-philosophical methods. Theoretical analysis, synthesis, and systematization are used to examine existing approaches to the concept of musical and stylistic ethos. Scientific novelty: the musical and stylistic ethos of the bandura trio is conceptualized for the first time as a phenomenon shaped by individual self-expression, intersubjective co-creation, and temporal-existential experience, which expands its understanding within contemporary Ukrainian musical culture. Results: the analysis shows that the ethos of the bandura trio emerges through the interaction of individual, intersubjective, and temporal-existential dimensions. It is manifested in ensemble performance through singing while playing the bandura, timbral blending, dynamic development, phrasing, and articulation, while reflecting a system of values and creative approaches formed through ensemble interaction. Conclusions: the musical and stylistic ethos of the bandura trio represents a form of shared creative being and a characteristic feature of its performance style. The interaction of its individual, intersubjective, and temporal-existential dimensions shapes the specific character of ensemble performance.