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This article examines how Shukur Xolmirzayev represents national character through speech, moral choice, and the experience of freedom. The analysis centres on Ozodlik, with the opening encounter in O‘zbek xarakteri providing a comparative example of characterization through everyday language. Qualitative close reading combines attention to dialogue, narrative perspective, and the relationship between human and animal experience. In O‘zbek xarakteri, the narrator’s response to pastoral vocabulary gives ordinary speech an emotional significance associated with familiarity and belonging. In Ozodlik, Mansur’s life after imprisonment, his participation in communal conversation, and his relationship with a captive partridge make freedom a practical and ethical problem. The discussion of the bird supports a national interpretation, but its meaning cannot be exhausted by a fixed correspondence between an animal and a people. The analysis argues that Xolmirzayev presents cultural identity through differentiated individual conduct: hospitality, self-respect, responsibility, and dependence become matters of action and disagreement. The aesthetic force of these stories arises from the interaction of colloquial speech, psychological tension, and concrete situations. National character consequently emerges as an interpretive problem within the narrative rather than a uniform set of traits shared by every member of a community.
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Abdurashid Abdurakhmonov (2026) studied this question.
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