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Summary There is limited literature of the usage of Theatre of the Oppressed within Social work practice. In this study, a group of youth offenders (n = 9) and three social workers known to a Social Service Agency participated in a 9-week Theatre of the Oppressed workshop, consisting of activities aimed to raise critical consciousness. The workshop eventually culminated in a Forum Theatre performance, put up to an invited audience (n = 17). Data was collected throughout the workshop and performance and analyzed using an arts-based method. A focus group discussion was also held with the youths and the social workers separately at the end of the program. Findings Data revealed that the Theatre of the Oppressed games and activities built solidarity among the youths, although the cultural subgroups of the youths played a part. There was also a general increase of awareness and understanding of power and privilege, and an ownership of the issues that they were experiencing. While the youths felt empowered by the process of designing the script and sharing their stories, the actual medium of performing in front of a group and the power differential with the audience members was seen to have created a negative experience for them. Applications This study provides an idea of the impacts of Theatre of the Oppressed within group work settings, for marginalized youth offenders. Through the carefully curated activities, social workers may be able to tap on Boal’s techniques as a way to build rapport, raise critical consciousness, and empower these youths.
David Puvaneyshwaran (Wed,) studied this question.