Abstract This article draws on a broad range of under-explored historical sources to document the career trajectories of the women who worked in the Italian film industry between 1930 and 1944. Challenging established histories that normalise male dominance in Italian cinema during and after Mussolini's regime, the article sheds light on women's overlooked contribution to Italy's sound film industry and explores the multilayered, shifting dimension of their precarious and gendered labour. Engaging with key questions raised by historians of Italian Fascism and by feminist research in film and media history, the article delineates intersectional barriers to film employment faced by women in the years of the dictatorship and points to their historical legacy.
Carla Mereu Keating (Mon,) studied this question.