A Subjective Assessment of the Acoustical Properties of Concert Halls Based on Personal Experience Around the World

Unlike many of the participating in this conference.I cannot be counted among technically-qualified acoustics engineers.but should be considered rather as a consumer of their products.» In twenty-five years at the 5.3.6.as a nale Studio Manager I have had responsibility for the sound balance of music broadcasts ranging from recordings from the B.B.C.'s Maida Vale Studies to opera relays from Covent Garden.and from the Proms at the Royal Albert Hall to live transmissions and recordings