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Abstract This paper uses a selection of foxhunting stories to explore the way in which anthropomorphized foxes were used to communicate pro-hunting messages to their mostly young readers. These justifications also appeared in nonfictional foxhunting sporting literature. Indeed, this literature included some of the same incredible anecdotes that also appeared in the work of nature writers at the turn of the twentieth century such as Charles G.D. Roberts and Ernest Thompson Seton working in a new sympathetic genre called the “animal story.” These writers found themselves under attack because naturalists like John Burroughs, and hunters, including President Theodore Roosevelt, found their stories to be inaccurate and anthropocentric. Roosevelt dubbed them the “nature fakers.” Foxhunting “histories” employed imaginative material and much anthropomorphism but were not attacked for doing so. This tends to indicate that anthropomorphisms were more acceptable when they were facilitating animal exploitation than when they were used to promote the perspective of nonhuman animals.
Ángela Fernández (Tue,) studied this question.