In this article, I analyse the representation of Michela, the trans*/ travesti street sex worker character, in the Brazilian short college film O amor que não ousa dizer seu nome/Love That Dare Not Speak Its Name by director Bárbara Roma Fadil (2013). I examine the femininities of the two main characters as well as the sex scene between them and how their relationship evolves afterwards. I draw from trans theory, Black feminism and Jasbir Puar’s concept of assemblage in order to study the complexity of Michela’s portrayal. I argue that the short film depicts Michela’s femininity and sexuality in a complex way, thus enriching the scope of trans*/ travesti representation in Brazilian cinema.
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Carolina Castellanos Gonella
Studies in Spanish & Latin-American Cinemas
Dickinson College
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Carolina Castellanos Gonella (Fri,) studied this question.
www.synapsesocial.com/papers/68d6cd6bb1249cec298b3c8d — DOI: https://doi.org/10.1386/slac_00126_1