What happens when that which saturates the foreground is relegated to the background? And what emerges when we attend to what appears distant, yet at the same time remains strangely familiar?This exposition explores what happens when we listen to the background in both a spatial and temporal sense and examines what happens when various materials of language are brought into the foreground as well as in the background.What can these materials tell us when we listen? – and how can we enter into dialogue with these materials?The exposition approaches language as a materiality encompassing visuality as language, sound as language and the written and spoken word as language, and the exposition explores what happens when these languages change positions.Taking as its point of departure the dual meaning of background—both as the spatial background that is physically distant and as the structural background internalized over time and which (paradoxically) saturates our foreground—the exposition examines how proximity and distance shape how we listen, and how displacements between foreground and background might surrect modes of listening through which places are rendered incomplete. keywords: queer temporality, decolonialism, proximity, distance, listening, disorientation, place-making, nonplace-making, displace-making, replace-making, surrected listening, hypering, surrection, resurrection, Insurrection, writing;, topocosmos, topocosm, pluriverse, pluriversity, background, foreground, saturation, entanglement, topocosmology, place, time, space, matter, incompletion, surfaces, returning, effacing, reffacing, niels lyhne løkkegaard, site-specificity, site-nonspecificity, fata morgana, mirage, scrambling, intra-action, intra-relatedness, field recording, recording fields, mesh, abject, divination, hypertext, hypotext, circulation, affect, stickiness, wobbliness, palimpsest, language
Niels Lyhne Løkkegaard (Thu,) studied this question.