Abstract: This article examines the intersection of horror and detective genres in children's literature through the figure of the ghost. In Helen Friel's Midnight Monsters (2018) and Oliver Jeffers's There's a Ghost in This House (2021), ghosts are safely introduced to the youngest audience of child readers while turning these readers into active detectives. This extends to Yvette Fielding's The House in the Woods (2021) and Lindsay Currie's It Found Us (2023), where ghosts are rendered innocent and encourage child readers to connect to traumatizing and violent pasts. By demonstrating how paranormal tropes transform ghost stories into investigative narratives that prioritize closure over ambiguity, this article argues that ghosts enable child detectives to confront traumatic histories and "mature" themes safely.
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Sietse Hagen
Bookbird/Book bird
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Sietse Hagen (Thu,) studied this question.
synapsesocial.com/papers/69cd7b345652765b073a8fdb — DOI: https://doi.org/10.1353/bkb.2026.a986652