The article discusses the problem of literary text dialogue, its strategic orientation, typology of literary dialogues, their functional and conceptual significance. The topicality and novelty of the research lie in: a) a complex and comprehensive approach to the study of the notion of literary dialogue with regard to its semantic, stylistic, pragmatic, cognitive, socio-cultural characteristics; b) insufficient study of the analyzed phenomenon from the perspective of its typological characteristics and strategic intentionality. The article develops the problem of a typology of literary dialogues and the various forms of their linguistic representation. Accordingly, the following types of dialogues are identified: “author – reader,” “author’s autodialogue,” “personage – personage”, “character’s autodialogue,” and “author1 – author2” each of which is characterized by specific properties. The author – reader dialogue performs a key role in the construction of the literary text, integrating and subordinating all other types of dialogue. A central issue associated with the problem of dialogicality in literary texts is the notion of the strategic orientation of dialogue. The study identifies such types of author’s strategy as narrative, stylistic, pragmatic, cognitive, social, and cultural, which in each particular case manifest themselves in various forms of combinatory interaction, with one of them assuming a dominant role. The following finding have been obtained in the course of study: dialogicality is one of the key categories of the literary text; there is a diversity of literary dialogue types and ways of their presentation in the literary text; literary dialogue is characterized by interactivity, intentionality, strategic orientation, addressiveness, semantic density, conceptual significance; the “author – reader” dialogue plays a dominant role in the literary text since it encompasses and orders all other types if literary text dialogue expressing conceptual content of the entire text and exerting aesthetic impact on the reader; e) the personal literary dialogue in contrast to real dialogue is characterized by specific features: the combination of elements of spoken and written language, stylistic markedness, semantic and emotional intensity; duality, manifested in peculiar combination of personal and author – reader dialogues, polifunctionalism.
Dilyaram U. Ashurova (Thu,) studied this question.