Our essay is written with the deepest (pun intended) respect for the life and work of Pauline Oliveros. We draw on her performances, recordings and writings, those of her numerous collaborators and others who write so well about her, and on our own experiences. By writing together, by generating a dialogue, or, perhaps better, by performing an improvisation around Pauline’s influence “a sounding happens.” Our metalogue of multiple voices, fragments of situations, and historical resonances parallels and reveals the subjective, experiential and embodied modes of knowing and healing that Oliveros’ work ultimately achieves and teaches. As in publications by Oliveros and her collaborator Ione, we blend methods of analysis and intuition through different modes of writing. This format is designed to encourage the reader to allow connections and continuities to emerge. Mirroring the participatory role of the audience in many of Oliveros’ compositions, your performance as a reader plays an integral role in producing meaning out of our words. Please listen and sound with us!
Shanken et al. (Wed,) studied this question.