A micro-commission from Signal Film & Media, Barrow-in-Furness, initiated a two-year dialogue between artist/filmmaker Laurence Campbell and ecological artist David Haley. They started with the question, ‘How did such a small stream serve the development of such a large industrial town?’ Their eco-poetic, video/sonic exploration became a freshwater odyssey, discovering the blood of extinction (chalybeate-polluted water) through arterial tributaries, from deep time to 19th-century extraction to today. Their inquiry was informed by the Cumbria Archives, a local environmental conservationist, a poet and opera singer and passersby. The emergent art form revealed a complex set of ecological narratives. The project continues to raise questions about our relationships with the Nature–Climate–Culture Emergency, and the nuclear, defence, mining and water industries.
David Haley (Tue,) studied this question.