This article examines the formation of modern genre poetics in the works of Germaine de Staël, with particular attention to the interrelation of artistic time and space, subjectivity, inner reflection, and philosophical-aesthetic thought. The study discusses Madame de Staël’s attitude toward the classical tradition, her gradual movement toward Romantic aesthetics, the retrospective insertions in the novel Corinne, or Italy, the poetics of cultural space, and the authorial “I” as structural features of the modern novel model. The article argues that modern genre poetics in de Staël’s writing is not a rejection of tradition, but a process of reinterpreting it through new historical, spiritual, and temporal experience.
Umida Rakhmatjonovna Mamatjonova (Thu,) studied this question.