This article examines the white, woven linen tablecloth as a disciplined surface within modern domestic interiors, tracing how its whiteness, maintenance, and display have functioned as markers of moral order, social status, and gendered competence from medieval bourgeois domesticity to the contemporary household. Drawing on Mary Douglas’s analysis of dirt and order, Thorstein Veblen’s theory of conspicuous display, and Jean Baudrillard’s framework of sign value, the article reads the tablecloth as a disciplined surface where bodily labor, aesthetic expectation, and social recognition converge. Through engagement with material culture scholarship on household textiles, the article argues that existing literature has treated the materiality, ownership, and labor of linen separately, and proposes that reading the white tablecloth as a single disciplinary surface makes this convergence visible. The moral coding of whiteness, historically articulated within bourgeois domesticity, acquires renewed force within urban domestic formations shaped by modern housing, hygiene discourse, and gendered ideals of domestic competence.
Oya Yeşim Armağan Atacan (Wed,) studied this question.