Dissident artists circumvent censorship in Cuba, highlighting strategies that enhance the reach of protest art.
Dissident artists in Cuba have historically been subjected to various modes of censorship, leading to innovative forms of circumvention. From a greater focus on more ephemeral modes of artmaking to the establishment of underground networks for the dissemination of protest art, many have been successful in developing careers as activist artists within Cuba and abroad.
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Katherine Mato (2025) studied this question.
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