Joseph Beaumont’s poetry highlights episcopalian piety in a time of religious upheaval, suggesting new forms of baptismal commemoration.
Joseph Beaumont's collection of devotional poetry, Minor Poems, exemplifies the development of an historically distinct form of baptismal piety developed among a number of episcopalian writers coping with the proscription of the Book of Common Prayer, episcopacy, and related forms of Cathedral-centered worship during the English Civil War. With public baptism according to the Book of Common Prayer outlawed, Episcopalians had occasion to develop new, more explicitly self-defining and often polemical, forms of baptismal commemoration. Developing the baptismal piety evident in George Herbert's The Temple (1633), Beaumont commemorated his own baptism as a way of maintaining fidelity to an established Church that had now gone into the wilderness, thus complementing the work of episcopalian writers such as Jeremy Taylor and John Cosin.
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Gary Kuchar (2025) studied this question.
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