This feminist semiotic analysis reveals cultural meanings in Dior’s fashion, emphasizing women's agency in post-war society.
This study explores the intersection of art, culture, and religion in Christian Dior’s iconic 1947 “New Look” Bar Suit through an intersectional feminist semiotic lens. The research addresses how fashion, as a cultural text, embodies and negotiates religious and cultural meanings whilst acknowledging the complexities of women’s agency in post-war society.
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Ochonogor et al. (2025) studied this question.
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