Creation of “Salen-Log Counterpoint”: intercultural music between karawitan and orchestra through practice based research

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This research reveals the artistic process of integrating karawitan into orchestral music, suggesting new sound textures.

A distinct new sound texture emerged from a contrapuntal approach, blending pelog, salendro, and Western tonal systems.
The study indicates that specific adjustments in notation are essential for effective fusion of musical styles and techniques.
Utilizing Wallas’ four-stage model of the creative process, the study dives into the artistic and technical dynamics of composition.
Findings highlight the potential of intercultural composition, enriching contemporary music by bridging traditional aesthetics with modern orchestration.

Nugraha et al. (2025) studied this question.

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