Bram Stoker’s Dracula, as is examined in this article, reveals a lot about gender and power dynamics through a new way of looking at Gothic literature using socio-cultural perspectives. Published in 1897, Dracula captures Victorian fears on the subject of sexuality, gender roles, and the power that shifts due to rapid social change. There are several gothic tropes embedded within the text such as vampires, monstrous females, and haunted castles which can be taken to symbolize deeper concerns about patriarchal control as well as modernity. This article focuses on some key characters in the book such as Mina Harker and Lucy Westenra who illustrate how Stoker departs from traditional ideals of womanhood and depicts women who break with conventional norms. It also shows how Dracula represents anarchy that not only disrupts physical boundaries but also challenges rigid binary thinking about female/male or rich/poor. In addition to that, it explores feminist theories of reading texts by applying contemporary cultural theories. Such an approach would help us understand why it becomes clear that Dracula is more than just a horror story. The current study shows how this genre has always been able to tap into the human desire for an enticingly frightful experience while still casting light on its continuing popularity.
Duygu Koroncu Özbilen (2025) studied this question.