This research studies dance as a multimodal semiotic system through the theories of Ferdinand de Saussure and Roland Barthes. Using Saussure's theory of semiosis, dance is viewed as a system of signs shaped by cultural context. In this system, physical movements, gestures, and facial expressions act as "signifiers" that communicate meaning within the codes of different dance styles. When choreographers select and arrange movements, the meaning of each gesture becomes clear in the context of the whole performance. Barthes' idea of "culturalization" explains how dance reflects the spontaneity of bodily expression while also transforming into repeatable and structured systems. This study also draws on Edmund Husserl's view that dance exists in a "pre-reflexive" realm of symbolic expression, where body movements convey meaning through cultural codes in choreography and performance. By applying linguistic and semiotic theories, the paper presents dance as a language that produces meaning through interconnected systems of signs in cultural settings. Dance is also seen as a universal language that crosses cultural boundaries and can be understood by different societies. To explore this, a global questionnaire was conducted with dancers from around the world. The results show that dance functions as an international language of self-expression and intercultural connection. It allows people to communicate through a shared non-verbal medium. The study concludes that dance can be seen as a symbolic language for humanity, forming a unique multimodal communication system across continents and cultures.
Weiling Pan (Fri,) studied this question.