This article analyzes how Hemingway explores themes of disillusionment and modernity in the Lost Generation.
Ernest Hemingway's 1926 novel, The Sun Also Rises, stands as a quintessential portrait of the "Lost Generation"—a cohort of disillusioned expatriates grappling with the psychological and spiritual aftermath of World War I. Through the understated prose characteristic of Hemingway's "Iceberg Theory," the novel explores profound themes of impotence (both physical and spiritual), the search for authenticity, the complexities of love and relationships, and the pervasive sense of aimlessness that defined a generation. This article will analyze how Hemingway masterfully employs a minimalist narrative style, a cast of emotionally wounded characters, and symbolic settings (Paris, Pamplona) to articulate a powerful critique of modernity, while simultaneously positing the "Code Hero" as a potential, albeit often elusive, pathway to meaning and "grace under pressure" in a world stripped of traditional values.
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Binh et al. (2025) studied this question.
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