Denunciatory Press and Neo-Avant-Garde Theatre in Cold War Hungary: ‘If necessary, let's ban!’

In this essay, I analyse how practices of press denunciation operated within Hungary and impacted the theatrical landscape during the Cold War era. I examine how this technique of denunciatory criticism was transformed in Hungary with the change from the Stalinist ideocratic field of power to a post-Stalinist, now post-ideocratic, system, and also how denunciatory theatre criticism in the press, in its most severe form in the given circumstances, operated in this system. Adopting a structural approach, my aim is to examine what I am calling the ‘denunciatory article or criticism’ – the published article denouncing a particular artist or work aiming at ‘withdrawing from circulation’ the targeted artist, work or, indirectly, sometimes a whole series of artworks, or an entire movement. I argue that the denunciatory article is part of the system of state cultural control rather than simply aesthetic criticism. I am taking a well-known case in Hungary – the neo-avant-garde artists of Balatonboglár – to explore the operations of sociopolitical and professional power that resulted in the exile of these artists from Hungary in the early 1970s. In an era of ‘fake news’ and of increasing censorship of publications, this operation of power is becoming increasingly relevant and urgent.