This essay examines how vernacular intellectuals shape the relationship between orality and writing, highlighting its significance in the colonial public sphere.
Setting off from Eileen Julien’s work on orality and the African novel, this essay takes the question of the relation between writing and oral expressions a step further by exploring how, in the hands of “vernacular” intellectuals, the oral became inseparable from writing. Writing enabled orality to enter the colonial public sphere; conversely, writing needed orality to assert its Africanness.
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Simon Gikandi (2025) studied this question.
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