The Victorian church of St Michael and All Angels, Barton-le-Street in the Ryedale region of North Yorkshire (Grid Ref: SE 72185 74295) contains an exceptional treasury of reused late 12th-century sculpture, all incorporated within its fabric. This article argues that despite its reuse within a later structure, this collection represents an important example of late Romanesque sculpture in Yorkshire, demonstrating many of the diverse threads and influences that characterise this distinctive regional flowering.
David Norman Smith (Sun,) studied this question.
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