Non-Invasive Use of Imaging and Portable Spectrometers for On-Site Pigment Identification in Contemporary Watercolors from the Arxiu Valencià del Disseny

Imaging techniques have revolutionized cultural heritage analysis, particularly for objects that cannot be sampled. This study investigated the utilization of spectral imaging for the identification of pigments in artifacts from the Arxiu Valencià del Disseny, in conjunction with other portable spectroscopy techniques such as XRF, Raman, FT-NIR, and FT-MIR. Four early 1930s watercolors were examined using point-wise elemental and molecular spectroscopic data for pigment classification. Initially, the data cubes obtained with the spectral camera were processed using various methods. The spectral behavior was analyzed pixel-point, and the reflectance curves were qualitatively compared with a set of standards. Subsequently, a computational approach was applied to the data cube to produce RGB, false-color infrared (IRFC), and principal component (PC) images. Algorithms, such as the Vector Angle (VA) mapper, were also employed to map the pigment spectra. Consequently, 19th-century pigments such as Prussian blue, chrome yellow, and alizarin red were distinguished according to their composition, combining the spatial and spectral dimensions of the data. Elemental analysis and infrared spectroscopy supported these findings. In this context, the use of reflectance imaging spectroscopy (RIS), despite its technical limitations, emerged as an essential tool for the documentation and conservation of design heritage.