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Literary critique reveals insights on Ulysses' shadow and aura in the context of transcreation, highlighting interactions between Boitani and de Campos.
This article highlights a dialogue between the literary critic Piero Boitani and the Poet Haroldo de Campos about Ulysses, specifically in The Shadow of Ulysses. Within Boitani’s philological and critical projection of Ulysses’ shadow, this analysis considers its thresholds, its aura, and its parodic perspective in terms of “transcreation” as defined by Haroldo de Campos.
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Eduardo Jorge De Oliveira (2025) studied this question.
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