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This is a Literature Review study.

F. M. Dostoevsky’s “Crime and Punishment”: Literary Text in the Iranian Cinematic Discourse

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Film adaptation explores Crime and Punishment's themes in Iranian culture, suggesting new interpretations.

The film adaptation simplifies Dostoevsky's themes, particularly moral conflicts, reinterpreting them for an Iranian audience.
While preserving key ideas of moral responsibility, the film alters original symbolism, replacing redemption with love.
Adaptation involves a complex interplay of reduction and expansion in representing the original literary work on screen.
Crime serves as a cultural bridge, illustrating the universality of Dostoevsky's ideas within modern Iranian cinema.

Zeinab Sadeghi-Sahlabad (2025) studied this question.

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View Full Paper

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Authors

Film adaptation explores Crime and Punishment's themes in Iranian culture, suggesting new interpretations.

The film adaptation simplifies Dostoevsky's themes, particularly moral conflicts, reinterpreting them for an Iranian audience.
While preserving key ideas of moral responsibility, the film alters original symbolism, replacing redemption with love.
Adaptation involves a complex interplay of reduction and expansion in representing the original literary work on screen.
Crime serves as a cultural bridge, illustrating the universality of Dostoevsky's ideas within modern Iranian cinema.

Zeinab Sadeghi-Sahlabad (2025) studied this question.

View Full Paper

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